Archive for February 2012

Interview with Nooin Zero

Nooin Zero is a vocalist presently living in Japan. A self-described racial mutt, she was born in Lisbon, Portugal and raised in Berlin, Germany from the age of 2. Zero had a very free and educational upringing by her single mother and left her mothers house at 17 to travel to London alone and start a new life pursuing her artistic dreams. She had wanted to sing for as long as she can remember. Well, that’s one version of the story. The socially acceptable one. The other version is slightly different. Read more

Interview with Coco Katsura

Coco Katsura is a Japanese rope bondage/fire/suspension performer. She started to work as a body modification performer in the year 2000 in the Tokyo underground scene. Her unique style is a mix of cult Japanese classic form and modern gothic decadence. Coco has performed on over 100 stages across the world including Japan, Holland, Germany, Finland, England, Greece, Belgium, and France. Her intension toward her art is to reach out to other people’s hearts through the use of the body and herself. Read more

Interview with multi-faceted musician Gothique Prince Ken

This evening, I’m extremely happy and excited because I have no other than composer and musician Gothique Prince Ken with me. Welcome GPK, how are you? Thanks so much for having me Vivian; I am honored to have given this wonderful opportunity to talk about my works. =) Read more

Interview with Jiamin Zhu

Jiamin Zhu is a software engineer by day, and a photographer during the weekends. She started with drawing female figures wearing elaborate Asian or European wardrobes when she was young, and now she spends the majority of her free time photographing portraiture. Jiamin is a self-taught photographer who loves to do creative collaborations with models, makeup artists, hair stylists, and wardrobe stylists. She loves to portray beautiful models in her photos. Her photos are very colorful, emotional or elaborate and contain some unusual elements that are not found in every day photography. She is especially interested in photoshooting a story line of some sort to portray humanity. Read more

Interview with Ji Wei

As Chinese Guzheng musician and Professor of music at the Chinese Central Conservatory of Music (CCOM), Ms. Ji Wei has gained high praise for her remarkable performance technique and musical expression. She has held nearly 100 solo concerts at home and abroad in such concert halls as the Lincoln Center, Kennedy Center, Chinese National Centre for the Performing Arts, LA FANICE Opera, Zurich Opera House, Royal Albert Hall, and Radio City. She has also performed in solos at the Venice International Music Festival, BBC Music Festival, Beijing International Music Festival, Beijing Modern Music Festival, Sino-France Cultural Year Opening Ceremony Concert, the National Centre for Performing Arts Opening Concert, and the concert celebrating the 10th Anniversary of diplomatic relations between China and the EURO. Read more

Interview with Yumiko Kayukawa

Seattle based artist, Yumiko Kayukawa was always artistically inclined. Growing up in a small town in Hokkaido, Japan she soon showed her unique style by creating a manga feature at age 16. She is a graduate of the Bisen Art School in Sapporo, Japan. Her works are largely inspired by her love of nature and animals and blend both American pop culture and traditional Japanese motifs. Her work has been exhibited at galleries and shows all over the world most recently at the London Art Fair. Read more

Popular Female Chinese Singers

Most of Chinese singers do not have a wide international recognition outside of Asia. But they are blessed by an access to a huge fan base with which can compete only those who sing in English.

I assume that many of the readers of my blog (which is dedicated to Chinese girls) are not part of this fan army and don’t follow the trends of Chinese modern music industry. But I am sure that most of you will enjoy a “concert” featuring ten beautiful girls (or at least girls having beautiful voices) singing in Mandarin specially for you. ;-)

So, squeeze an hour from your busy schedule, prepare your favorite drink, take a seat and enjoy…

 

Amei

First girl is Amei (???Zhang Huimei)  – a famous Taiwanese singer who made her commercial debut in 1996 and had an instant success. She is known for her unique voice and lively stage performances.
To make an introduction to the world of Chinese pop music easier I chose a song with a video clip from famous movie “Brokeback Mountain”. Song’s title is “I want happiness” (????).

 

 

Cyndi Wang

Another singer from Taiwan is Cyndi Wang (???Wang Xinling). Like many her colleagues she combines singing career with acting. She is very nice girl, but I think that after watching this video many people will agree with me that she has to eat a little bit more :-)

The song is “Tears of Cinderella” (??????).

 

 

Elva Hsiao

Well, before you notice it first I have to admit myself that I’ve got here a lot of singers from Taiwan. The reason is simple: their style resonates better with Western ears. And the next beauty is Elva Hsiao (???Xiao Yaxuan). So far her fruitful career has spawned 10 albums in 10 years.

For your attention is her song “Honey Honey Honey”.

 

 

Faye Wong

Faye Wong (??Wang Fei) was born in Beijing. She has an iconic status in mainland China and is popular in many other Asian countries, as well. Faye Wong is successful both as actress and singer. She performs her songs in Mandarin, Cantonese and English.

The song presented below is “Red Bean” (??).

 

 

Fish Leong

Fish Leong (??? Liang Jingru) – a Chinese Malaysian singer – is another pop queen whose popularity stretches far beyond her homeland. Her style is readily recognizable and especially well fits love ballads for which she is renowned among her numerous fans.

Choosing just one song from her repertoire wasn’t easy. In the end it was “C’est La Vie”.

 

 

Jolin Tsai

Jolin Tsai (??? Cai Yilin). Guess where she is from? Right. Taiwan.
Very versatile performer. From young childhood she has been a perfectionist and one can easily spot that her vocal and dancing abilities greatly improved since the beginning of her musical career.

The following song “Sky” (??) has a special meaning for me. I hope you will like it.
Note: you might need to increase volume for this song

 

 

Penny Tai

Another Chinese Malaysian in my list is Penny Tai (??? Dai Peini). In order to foster her career Penny moved to Taiwan. Starting from 2000 she created 9 albums. Most of the songs from her repertoire she composed by herself.

Until today her most popular song is “The Love You Want”(????).

 

 

Rainie Yang

Back to Taiwan where we meet sweet Rainie Yang (??? Yang Chenglin). This little girl enraged many people in mainland China when she featured in one TV show and made an ignorant remark about Sino-Japanese war. I personally forgive her :-) and let you to enjoy her trademark song “My Intuition”(??) used as a theme for drama series where she played a leading role.

 

 

S.H.E.

And now not just one, but three girls. They got acquainted with each other at one of singing contests and formed the band “S.H.E”. These girls conquered fans not only with their songs, but also with their light-hearted and humorous nature. In one of interviews they called themselves “ugliest girl group in history”. I definitely don’t think so. What about you?

Please, listen to their song “How Are You Lately?” (???????).

 

 

Stefanie Sun

Although I setup the order of singers according to the alphabetical writing of their English names, I am truly happy that the honor to close it went to Stefanie Sun (???Sun Yanzi) – Singaporean native she mostly lives in Taiwan. During career of 10 years she has sold more than ten million albums. In my opinion she is a true diva of Mandarin popular music.

Only throwing a coin helped me to choose “Meet by Chance” (??).

 

 

Super Girl Final ThreeThree finalists of “Super Girl” singing competition, 2005 

In 2004 Shmuley Boteach – once a close friend of Michael Jackson – wrote an interesting comment about another pop-star, Madonna:

Before Madonna, it was possible for women more famous for their voices than their cleavage – like the beautiful Ella Fitzgerald and the divinely talented Barbra Streisand – to emerge as music superstars. But in the post-Madonna universe, even highly original performers like Janet Jackson now feel the pressure to expose their bodies on television in order to sell albums.

Indeed, looking at the modern female singers, one might think that good looks and sexy body are more important than singing abilities for success. This tendency is truly international and Chinese female singers are not spared from it.

And if “simple mortals” resort to plastic surgery as means of increasing their value in the labor market, it’s understandable that singers find themselves under huge pressure to fit even stricter standards of beauty and sexual appeal. Sometimes it ends sadly – as in the case of Wang Bei, an aspiring performer, who just wanted to get a more pointed face shape and died during plastic surgery.

So, today I invite you to check out an unusual top 10 list. It will feature 10 female Chinese singers who are NOT known to be beautiful and for that reason I assume they are popular firstly due to their singing talents. I suppose that blog readers might find some of the girls in this list to be quite good-looking, but take in account that this list was compiled basing on the opinions of Chinese netizens. Thus, let’s attribute any disagreements to cultural difference in beauty perceptions.

 

1. Chen Jiahua, also known as Ella is one of three members of popular Taiwanese girl band S.H.E. (see my other post about Chinese singers to listen to one of their songs). In one of their interviews the girls coquettishly claimed: “We are the fattest girl group in history, we don’t need sexiness to succeed.”

Chen JiahuaChen Jiahua 

2. Ding Wei is extremely talented. Her musical repertoire ranges from pop to jazz and for many of her songs she writes music and lyrics by herself. Maybe this is also the reason why she hasn’t produced so many albums over 15 years of her musical career. Ding Wei is one of the favorite singers of my fiancé and he asked me to include one of her songs here. You will find it in the end of this post.

Ding WeiDing Wei 

3. Han Hong is not your regular slim Chinese girl. But it didn’t prevent her from being recognized asbest female artist from mainland China in 2004 and 2006 (in 2005 by the way Ding Wei was crowned with this title). Some people say that she owes her wonderful voice to her mother who belongs toTibetan minority.

Han HongHan Hong 

4. He Yunshi came to prominence after winning the annual competition for new Chinese singers in Hong Kong in 1996. She then became an apprentice of another famous Hong Kong singer Mei Yanfang (Anita Mui) who won the first installment of the same competition in 1982! In the beginning of her career He Yunshi sparked a lot of controversy by often touching the topic of homosexuality in her songs.

He YunshiHe Yunshi 

5. Huang Qishan for many years tried to make a breakthrough in musical career but wasn’t successful. Her devotion for singing and beautiful voice were not matched by beautiful appearance and it was the main reason of her failures. Huang Qishan almost gave up but fortunately was noticed by Chen Ziqiu – general manager of the recording company who signed contract with the singer and described her as the “most perfect voice of Asia”.

Huang QishanHuang Qishan 

6. Li Yuchun became popular after winning the singing competition Super Girl in 2005. The competition was marred by controversy because many people thought that Li Yuchun won the SMS voting mainly due to her “rebellious” behavior (boyish hairstyle and coolness) that resonated with Chinese youth.

Li YuchunLi Yuchun 

7. Mo Wenwei is maybe not beautiful but she is definitely a very sexy woman. And she knows how to present herself in the best light. As many successful Chinese performers Mo Wenwei combines singing career with acting. She is also a notable advocate of animal rights.

Mo WenweiMo Wenwei 

8. Sun Yue had a breakthrough in 1994 with the signature song “I wish you peace”. Since then she always stayed in spotlight winning many prestigious awards. In 2008 Sun Yue was the only female singer who participated both in opening and closing ceremonies of Beijing Olympic Games.

Sun YueSun Yue 

9. Tian Zhen is the famous Beijing-born singer who debuted in 1984. In 1995 she released the first collection of hits which set the Chinese record of most album copies sold. In 1996 “Beijing Youth Daily” called her the most popular Chinese female singer.

Tian ZhenTian Zhen 

10. Zhou Hui was often described as Su Yongkang (male singer) with the voice of Faye Wong (diva of Chinese pop music). Because of her looks the recording company – at least in the beginning of her career – often used cartoon images instead of Zhou Hui’s own pictures in videos for songs.

Zhou HuiZhou Hui 

***

 

 

Interview with Miyu Arai

Miyu Arai is a 21 year old model from Japan who has had an interest in the arts since she was a child. She began modeling while attending the university where she studies French. She has modeled in many categories such as gravure, popart, subculture art, fashion and other events. In the future, Miyu hopes to visit France and collaborate with artists and photographers there to build her portfolio. Read more

A Primer for Understanding Japanese Pop Culture

Excellent article found elsewhere written by Hiko Saemon

The entertainment industry of Japan is one of the things that drew me to the country, and was a major, if not the most major resource I used to become fluent in speaking Japanese.Growing up as a certifiable ????? (TV addicted child), and moving around different countries, there wasn’t a lot new and original in tv formats for me to enjoy by the time I was of university age. The “Galapagos” phenomenon closed environment of the Japanese entertainment industry, much like many other very domestic industries in Japan, such as mobile phone production, led to television here being a noticeably different, almost alien experience compared to television I have seen in other countries.


Cosplay – AWA14 – Peelander Z fans, originally uploaded by mikemol.
Furthermore, going out to “Asian-only” karaoke bars in Auckland with Japanese friends, that have only limited English songs (nearly all are Chinese, Japanese and Korean songs), I quickly learned to get over my first impressions of Jpop music being vacant sounding elevator music, and to deeply enjoy it and find bands and artists I really like, as well as the challenge of learning to sing Japanese songs, initially by pure imitation. This was another source of fun that helped me learn good Japanese pronunciation.First watching recordings of Japanese television while in NZ, and then coming here, a number of features of the Japanese entertainment industry stood out to me upon arrival, both good and bad.

Ads

The ads are 30 seconds long at most, and fun – NZ has the longest average ad length and overall commercial break length of any country in the world. I LOVED the ads.

Extensive Cross-Marketing

When the powers that rule decide that so-and-so is going to release a chart topping song, it happens. No matter how awful the song is. Sometimes I think they intentionally do this with terrible gimmick songs, just to test how effective they are. Basically, the usual surefire way to ensure a chart topping song, and prolonged sales is that the song will be attached to a top-ranking TV drama and drummed into the millions of viewers that way. After 12 weeks hearing the song over and over, they will sing it when they are at karaoke (you get extra cred for being able to sing “fresh” songs). After messing up the first time at Karaoke, they will buy the single. Just in case you didn’t get the song yet, the band will be featured on top music shows. It is also not unusual for pop singers to appear in the dramas themselves, and as special guests on variety shows all while the sales of their new single is out. One way or another, that song is heading for the top of the charts, and the perfumes, cars, pharmaceuticals and chocolate products that tag along for the ride with ad spots around the popular tv shows that feature the music will all get a cut too. It’s amazingly effective.

Cool New Formats

What really blew me away was the plethora of tv shows done in formats that to me, a worldly tv addicated traveller, were completely original. At times mind-blowing. The infinite number of variety show formats that exist here are the obvious examples, that don’t always involve pouring scalding water on people – the best variety shows are the talk shows. Some of my personal favorites are the segment on Tunnels where two celebrity guests join the hosts over dinner where three dishes are served – one of the dishes is something that the celebrity hates. They have to make smalltalk, and make a cover story for why they love all the dishes, and stop the other from guessing which food is the one they can’t stand.

Innovative “Reality” Television

Japan was doing “reality” tv before it got big in the US. I guess you can already figure out why I have “reality” with speech marks – I’ll come to that later. However, when I was wide eyed, off the boat, and believed everything I saw, these “reality” shows were some of the most mind blowing television I had ever seen.

For me, real credit goes to the comic team “London Boots” who started out with a late night show called “Gasa Ire” (Investigatory Raid) where they would respond to postcard requests from boyfriends suspicious of the faithfulness of their girlfriends, by going to the girlfriend’s house, forcing their way inside, stealing her mobile phone, rummaging through the house to find her diary, and beginning to read emails and call contacts while constantly and forcefully interrogating the girlfriend. The show always reached a clear conclusion, and the result was announced to the boyfriend “white” (she’s in the clear”) or “black” (we got her – guilty!). I was dumbfounded watching this show, thinking to myself “this can’t be legal…”

The show went on to further success with different formats in later seasons, the best probably being a season where guys would allow the show to use a host to try to pick up get their girlfriend on the street and through the evening, get her back to a hotel room – where the boyfriend and tv crew would be waiting. For a bit of gender equality, they did another season in a format called the “triangle” where they would trap a guy into picking up a planted girl, and arrange for the girl to be present at a restaurant where the couple would go on a date and then to basically apply as much pressure on the guy as possible through the evening. These London Boots shows were for me, some of the best television ever made.

Another even bigger hit was the tv show “Ai Nori” (Love Ride) – a concept where young singles looking for love would travel the world together in a pink tourvan, left to hook up with one another while travelling. It was set up so that the couples would not be left alone – when someone found someone they liked, they had to tell the tv crew and it would be arranged for the two to meet and one would ask to go out with the other. The catch is that if the couple pairs up, both have to go home. If the couple doesn’t pair up and the advance is rejected, the person making the advance returns home alone, and is replaced with someone else, while the rejecting party stays on the bus. It basically was a real life romantic drama and travel show rolled into one, that is still going today after nearly 10 years. Just a great original concept that always worked out really well.

Cosplay – AWA14 – Sailor Moon, originally uploaded by mikemol.

Tarento, Tarento, Everywhere

Another feature that, over time, bothered me more and more was the fact that television was so dominated by “tarento” from the “Geinou Kai” or “Entertainment Association”, which acts as a kind of monopolizing union that pools who can and cannot appear on tv shows. Talk shows, game shows, quiz shows, cooking shows… everything… only had “tarento” from the geinoukai. Frankly, I found it hard to get excited about famous people competing for cash prizes, the way I would about ordinary folks. But the stance on almost exclusively tarento visible either in variety shows or dramas for all prime time television is rigidly adhered to. Over time, it made many of the shows boring.

The Veil Is Broken

It was because of the dominance of tarento in other programmes that I so enjoyed the featuring of regular people in London Boots and Ai Nori – and so did many others, as these became top rating shows. It was after about two years in Japan that the shadow of illusion surrounding these shows was broken by a scandal, with insiders outing Ai Nori as being completely “Yarase” (staged). What was interesting to me at the time was that the response of most to this was shoulder shrugging. As it came out and fans were outraged that this “reality” television show was completely acted out (a kind of pre-YouTube Lonelygirl15), much of the coverage in weeklies and foreign press matter of factly pointed out that almost everything on Japanese television outside of news and documentaries (and not infrequently those too) is completely planned and scripted out. Right down to banter and small talk on “chat” shows – everything is scripted and written. The job of the tarento on the shows is to make it look spontaneous, which they do very well. People got caught out by these “reality shows” because instead of using well known tarento, they took the unusual step for Japan of taking unknown actors, and presenting them as ordinary people.

I was a little shocked at first, but then it dawned on me, it’s doubtful these shows could have been so entertaining had they not been planned out. And I had been well entertained, so… okay then. Ai Nori and London Boots survived outing as yarase and I learned to accept that while fun to watch, probably less than 1% of anything you ever see on Japanese TV is actually spontaneous.

Why it is Good to be Clued Up on Entertainment in Japan

I have met expats who live here, but reject “elevator music” pop music, and cutesy, staged famous people only variety show television, and get by just fine with iTunes and a satellite TV subscription. And that rejection of local pop culture is getting easier and easier to do. However, I’d still encourage any new arrival in Japan to resist the irresistable urge to continue downloading and watching all their regular US tv shows and music, and try to get into the local pop culture scene a bit. This is mainly for three reasons:

1) It is a fun way to immerse yourself, which dramatically will speed up and improve your Japanese listening skills.

2) It allows you to talk with Japanese people about things they are interested in and follow, and lets you understand and join in when these conversations come up, as they often do. It basically gives you more of an opportunity to talk with Japanese people, and gives you stuff to talk about, and improve your Japanese speaking ability.

3) It teaches you a lot about culture and behaviour. A lot of foreigners in Japan work with other foreigners, or in international environments and don’t get to experience much of a “pure” Japanese environment around them. Television offers that – at the very least, watching primetime Japanese TV is what most Japanese families do, and much of the pop culture that people pick up (popular jokes, fashions, trends) are all transmitted through this television. Basically, I think Japanese TV and music is the quickest way to get on the frequency of what is going on in the heads of the Japanese people we are surrounded by here.

However, there are two key parts to understanding. The first part is the basic knowledge – who the popular singers are, who the actors are, what is big in the news, what tv shows are popular, what are the best songs to sing in Karaoke right now, etc. The second part to this is getting clued in on background information and the gossip that most Japanese know at varying levels, that allows for a deeper understanding of what is really going on behind the shows you are watching, and helps you to interpret and understand the “news” and “scandals” that come out, which in turn makes you capable of better informed and more intelligent discussion about these topics with your Japanese friends.

Get Smart

So, I recommend two pieces of homework. First, watch as much tv and listen to as much Japanese music as possible. That’s easy. Just turn of your frigging iTunes, disconnect your satellite tv tuner, and watch your free, beautiful digital high definition television. Until it hurts.

The second step is to read up on the background to all of this and get as much context as possible. It makes following Japanese pop culture more interesting, and you become much better informed and more in tune and understanding. There are a number of excellent recent blogs that discuss the workings of the entertainment industry in Japan, as well as some informative scandals, and other resources I have used that I recommend, which are as follows.

Resources

http://www.amazon.com/Encyclopedia-Japanese-Pop-Culture/dp/0834803801

I read this book when I came to Japan. I wasn’t familiar with a lot of the stuff it was talking about as I read it, but by reading it once, and then watching tv here, I would often find myself coming back and joining the dots when I saw the topics and artists discussed, and immediately then be well enough informed to understand the tv show in context, and be able to talk about it with others. I read this back in 1999, and I don’t know if it has been kept up to date, but even if it is now somewhat dated, I found it a great primer for Japanese pop culture.Going a little bit darker, we have the SUPERB series on the underside of the entertainment industry and working of the talent agency system (jimsuho system) that it is organized around, that was featured on Neojaponisme.com. Note that this is a four part series, and only the first three parts are yet available. However, the quality of writing here is so high that I think it will be worthwhile following the blog and waiting for the fourth instalment:

Part 1
http://neojaponisme.com/2010/04/05/the-jimusho-system-part-one/
Part 2
http://neojaponisme.com/2010/06/29/the-jimusho-system-part-two/
Part 3 (one part still to come yet)
http://neojaponisme.com/2011/05/23/the-jimusho-system-part-three/Going somewhat darker, there was an expose done of the enormously popular “Johnny’s” talent agency back in 2006, that Tokyo Damage Report has summarized in English here:

http://www.hellodamage.com/top/2010/04/27/translation-of-2006-johnnys-jimusho-expose/Going even darker, there is an entertainingly written record of an interview with a music industry executive who worked in the “Visual-Kei” subgenre popular throughout the 1990s, which is a kind of gothic/manga/french/punk genre of music that was enormously popular for a time. He pretty much dishes the dirt on everything that went on behind the scenes in that part of the music industry:

http://www.hellodamage.com/top/2010/03/01/interview-with-an-ex-visual-kei-record-executive/
Apparently there were a lot of visual kei fans upset by the first blog, and so the author published a brief follow up here.
http://www.hellodamage.com/top/2010/03/07/visual-kei-fallout/Finally, I think one of the best sources of information and understanding about how the industry works is in the “scandals” that come out of it. Again, I put “scandals” in speechmarks for reasons I will elaborate on in another post one day, but basically throughout all the faked, staged and conspired scandals that break out, there are occasionally lower key more truth telling scandals which do leak out. Some great examples are;

The blacklisting of JPop megastar Ami Suzuki

http://en.wikipedia.org/wiki/Ami_Suzuki
http://search.japantimes.co.jp/cgi-bin/fm20020116sm.html
http://search.japantimes.co.jp/cgi-bin/fm20081120r1.htmlExamples of foreign talents getting shut out after disputes with their agencies

http://www.japanprobe.com/2006/08/24/thane-camus-talent-agencies/
http://metropolis.co.jp/features/upfront/q-a/magibon/I think the above links provide a good primer for watching, enjoying and understanding the parallel universe that is the Japanese entertainment industry. Enjoy!

Posted 26th May 2011 by Hiko Saemon

Understanding Japan Through The Karate Kid

 

The Karate Kid and Mister Miyagi

 

Today’s guest post comes from everybody’s favorite Kiwi, the awesome Hikosaemon. He’s an incredibly prolific video blogger living in Tokyo, and his post today is about coming to understand Japanese values. Enjoy!

About five years ago now, I sat in a meeting room being interviewed by a very senior woman executive of the American company I eventually joined. I had made the decision that after a total of 11 years working in Japanese companies for Japanese people, it was time to make the jump into a gaishi-kei (a foreign company).

She looked at my rather unusual resume, noting that I had spent my entire working life in Japanese companies, working for Japanese people and speaking Japanese. She turned to me and asked me a question which caught me off-guard.

“After all this time working in Japanese companies, what would you say is the most important thing you’ve learned?”

That’s a tough question. I hesitated, wondering how I was supposed to answer such an open ended question. But after a few seconds, a phrase popped into my head that really best summarized the sum of what I had learned through all those years of learning to cope and survive with the Japanese work ethic.

I responded: “little things are big things.”

 

Uh Ohhh…

Talking about “culture” is always a bit of a trap. Political correctness tells us not to generalize about large groups of people, and makes us very aware of the many exceptions to every general principle we may be tempted to observe.

 

 

At the same time however, there are broad differences in how people interact within different national cultures, that transcend simple individual differences, that are influenced by the history and customs of the location they originate from.

Such generalizations don’t work in every context, but after long resisting the idea of using them, I finally came to realize that a couple of general insights about Japanese culture really helped give me a context to understand many of the attitudes and work practices that I simply could not otherwise wrap my head around.

Boiled down to its very essence, the unifying realization that I came to is that just about every aspect of life in Japan, from all kinds of businesses, to clubs, to sports, to hobbies and recreation has the mentality of the Japanese artisan infused into it to some degree.

 

Understand Your Own Values In Order To Understand Others

The only way to begin to understand any culture in context, is to first have some objective understanding of your own culture, and to break through the presumption that “norms” of your own culture are not the ”universal truths” that we often believe them to be.

 

 

Working for Japanese, as a New Zealander, I found many aspects of “common sense” from my own culture, frankly, completely lacking in the way that Japanese work and play. The, admittedly veryWASP values that many New Zealanders carry with them through the world include concepts such as:

  • Family first
  • You work to live – you work in order to be able to go home and spend time with your family while providing for them
  • The primary goal of work is efficiency and productivity, finding better ways to get things done is a constant goal
  • The primary purpose of out of work personal activities is enjoyment and relaxation

These aren’t all of them, but these are the values I had which I found most conflicted when trying to adapt to working conditions here.

 

Wax On, Wax Off

One of my first introductions to Japanese culture that did not involve WWII or Ninja Turtles, was the movie Karate Kid. I must have been about 10 when it came out, and remember watching it, being a bit puzzled, as I’m sure many other kids are, by the unusual training that Mr. Miyagi (for some reason “Mr. Miyaji” in the Japanese dubbed version) put Daniel san through, painting fences, waxing cars and sanding floors. It didn’t make any sense. Mr. Miyagi looked simply like a bully using Daniel as a servant.

 

 

As we all know, forcing Daniel san to do all those crappy jobs was an indirect way for Mr. Miyagi to build Daniel’s character, and train him without jumping straight to the super sweet ninja death grips that every kid wants to learn in karate on day one. Over time, it’s something I came to recognize as the artisan work ethic that can be seen to different degrees in most aspects of life in Japan.

The only difference is that unlike the movie where Daniel san is only tormented for a few weeks, in real life, you often end up waxing on and waxing off for decades.

 

Not Getting It

My own experiences often synced with those of others like me who felt frustration and exasperation working in Japanese workplaces. Getting dressed down for things like using the wrong colour pen, or there being a single spelling mistake on an 80 page document I created, or worse still, being accused of being lazy when finding quicker more efficient ways of performing certain tasks.

 

 

From part-time jobs to rugby clubs to different types of companies, this kind of obsession with superfluous detail is something that drives many people – Japanese and non Japanese – nuts when living and working in Japan. The problem that I had was that while I could understand that different people work differently in any country or culture, in New Zealand at least, I could usually understand the mentality of people, even if I disliked or disagreed with how they worked. In Japan, working weekends and late nights in ways that made no rational sense to me was something that I struggled with.

Over time, I have seen the most committed hardcore Japanophiles throw their hands up in exasperation, call BS, and leave situations like this. My problem was that coming from NZ as a university graduate, I had promised myself that come Hell or high water, I was going to stay in my first job here for at least 3 years; so I searched desperately to find a handle I could use to at least understand why I was working late into the night and throughout my weekends doing what often seemed like menial unnecessary tasks.

 

One Night Taichi Sakaiya and Baigan Ishida Saved My Life

The epiphany hit me after about a year being in Japan. Having done a lot of reading of books on Japanese culture and society preparing to come to Japan, and finding all of that preparation of very little help when I was here, one day I flashed back to a passage in a book about Japanese society by former METI bureaucrat Taichi Sakaiya called “What is Japan.”

 

 

When I first read it before coming to Japan, I didn’t really like the book. It was extremely broad and general, attempting to explain all of Japanese culture with sweeping generalizations, based on chains of logic that jumped all over the place through Japanese history, culture and tradition. It was very unlike western academic writing that I was used to and had pretty much ended up disregarding most of what the book had to say upon first reading.

However, what brought me back to the book was his outline of what he sees as the origins and nature of the Japanese work ethic.

Sakaiya explains that Japanese leaders around 400 years ago faced problems of economic instability caused by a large, industrious population living in a country that was resource-poor, and unable to sustain prolonged consumerist economic booms.

 

The cover of the book "What Is Japan?"

 

Rulers of the time found a useful solution to this problem in the philosophy of a school of Zen Buddhism set up by Baigan Ishida, based on the precept that “all work is the pursuit of knowledge”, whereby work is seen primarily as a means of building character, and only secondarily as being productive. By making a virtue out of hard work and frugality at the same time, the philosophy emphasized the showing of dedication to detail in work, rather than production.

The shogunate adopted and spread this philosophy throughout Japan for the “cooling” effect it had on Japan’s boom/bust economies of the time.

 

Baigan Ishida

 

Blame this guy for everything.

Sakaiya cites this philosophy as lying at the root of the obsession of many Japanese with attention to detail, even where such detail is unimportant. He cites examples of imported products failing in Japan, not because of poor value or function, but because of people being dissatisfied with more superficial aspects of the build and finishing of such products.

If you go online nowadays and look at restaurant and product review forums on site like Kakaku.comand Yahoo Gourmet, you’ll see that many of the sternest reviews often obsess more over aspects of presentation and packaging more than the product or meal itself.

People have a way of judging performance not by how core functions are performed, but rather on the dedication to working hard shown by the person being judged, and their attention to unimportant detail. The sign of an artisan is someone who spent years or decades as an apprentice, tediously being forced to learn to perfect every aspect, important and unimportant, of what they do.

This philosophy remains, in my experience, deeply embedded in the culture, be it in school, clubs, sports, hobbies, service industries, or manufacturing. For me, understanding this at least allowed me to for the first time understand why I was getting in trouble for finding more efficient ways to be productive, why my superiors would never simply give me answers to questions I asked about how certain things are done, why everyone would badmouth people who left work at a reasonable hour, and why such emphasis is placed on demonstrating dedication through long hours spent on relatively menial tasks.

 

Oyassan

The first Japanese comedy skit I ever laughed at was “Oyassan” by a comedy troupe led by the duo Downtown. It’s the same scenario played out in various old-town settings of an old artisan mercilessly bullying a young apprentice first with verbal, and then escalating physical abuse.

 

 

Having been mystified trying to keep up with other Japanese comedy skits up until first watching this, I laughed until I cried, simply because I recognized the scenario from being sternly dressed down at my part time job at a souvenir shop in Auckland for similar transgressions, such as placing a price tag on the lower right instead of lower left of the reverse of a box, or using a blue pen instead of a black pen for credit card forms.

It’s never as bad or extreme as it is shown in the Oyassan skit, but it does illustrate in a vivid way the kind of Karate Kid training that apprentices in Japan go through in contexts that go beyond the artisan setting from which such practices originated. Young rugby players are forced to hand wash the jerseys of senior team players (and dressed down for missing spots). Apprentice chefs can spend years simply cleaning and chopping before being allowed to cook.

In office environments, I have worked in different companies where high level responsibilities such as being allowed to act as a note-taker in a meeting, or to pick up the phone and talk to clients, are privileges that can take years to earn. Staff within manufacturing companies being groomed for senior management are forced to work on all the production lines and business areas of the company over years and years, so that when they become senior managers, they understand every aspect of the companies they manage and the products they make (something that gives me huge respect for the senior managers of Japanese companies I have met).

The idea is that the people in the senior role in all these scenarios must first foster and shape the character of the apprentice through hard work and perfectionism.

 

But Just Remember…

In my early years in Japan, I saw many foreign workers like myself come and go: Japanese-speaking, bright-eyed, with big dreams of making an impact working in Japan, leaving after just a couple of years exasperated at the BS that people have to put up with.

Indeed, this same culture is what also drives many Japanese to live and work abroad. Japan’s high rates of burnout and stress related illness are testament to the negative side effects.

As a foreigner here, what killed me was that I couldn’t anchor myself with any kind of philosophy to understand WHY people were behaving as they were, for me to process and put in context what was expected of me and how I was supposed to succeed by the standards of those judging me.

 

 

Understanding the philosophy also helped me to  recognize the positives of this ethic. It is behind the reputation for high quality of manufactured goods from Japan, and the many humble hard working engineers, chefs and artists from Japan who have become world leaders simply through their dedication to perfection of their chosen crafts.

An explanation very similar to the one above was given to me by a Nikkei American coworker. The need to show dedication to working, and the need to not be seen to be letting the team early by leaving when your work is done when others are still busy. It felt liberating to be able to understand it. But then my friend, who is an American with Japanese parents, added the kicker:

“Just remember, it’s all bullshit…”

The aim of this is not to discourage people from coming to Japan. On the contrary, I want more foreigners to come to Japan, and for Japanese people to have greater exposure to global influences.

The point is however, that the philosophy outlined above pervades most aspects of life in Japan, and based on the values that I brought with me to Japan, it was completely incomprehensible. Understanding expectations and following them is an important part of living life here.

But at the same time, never forget or let go of your own values. Having the ability to analyze situations accurately and in detail through multiple cultural prisms is a valuable tool that few people have – even those who are able to proficiently speak foreign languages.

 

A Mr. Miyagi motivational poster

 

For me, understanding the Japanese artisan work ethic was one of those magic “keys” that made a lot of aspects of living in Japan that I was struggling with make sense. It doesn’t make living here any easier, but it gives a context through which you can understand many of the unsaid aspects of things going on around you, that often based on pure objective logic will not make any sense whatsoever. So try to bear the above in mind whenever dealing with Japanese culture, keep an open mind, and go and wax 50 cars for me. Now.

 

 

 

Pages:123Next »